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Sapling.info Bookstore (7)

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Great Gardens of Britain

Helena Attlee and Alex Ramsay
(2011)
Hardcover - 144 pages
Frances Lincoln
ISBN: 0711231346



Synopsis by Amazon.co.uk:
Britain is famous all over the world for its gardens. In this book Helena Attlee focuses on twenty of the finest gardens in the country. Her choice encompasses a rich selection of sites all over England, Scotland, Wales and Northern Ireland, ranging from famous eighteenth-century landscapes such as Stourhead to quirky modern gardens such as Charles Jencks' Garden of Cosmic Speculation in the Scottish borders. Her lively text provides a brief history of each garden combined with a vivid account of its main features. Alex Ramsay's dazzling photographs reveal the gardens at their best. Gardens include: Crathes (Inverness), Crarae (Argyll & Bute), Garden of Cosmic Speculation (Dumfries), Little Sparta (Lanarkshire), Alnwick (Northumberland), Levens (Cumbria), Scampston (Yorkshire), Mount Stewart (Co. Down), Bodnant (Clwyd), Powis Castle (Powys), Stourhead (Wiltshire), Hidcote (Gloucestershire), Great Dixter (Sussex), East Rushton (Norfolk), Beth Chatto's Garden (Essex), Kew (London), Wisley (Surrey), Sissinghurst (Kent), Eden Project (Cornwall), Tresco (Scilly Isles).



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Lost Victorian Britain: How the Twentieth Century Destroyed the Nineteenth Century's Architectural Masterpieces

Gavin Stamp
(2010)
Hardcover - 192 pages
Aurum Press Ltd
ISBN: 1845135326



Synopsis by Amazon.co.uk:
These days it seems perfectly obvious that stupendous nineteenth-century constructions like St Pancras Station should be not only preserved from dereliction but also restored to their original iron-and-glass glory - and used. But it was not always the case. As recently as the 1970s a superb Victorian building like Glasgow's St Enoch's Hotel was being levelled to make way for a banal shopping centre. In the mid-1960s St Pancras itself had been earmarked for demolition. The prevailing attitude of the twentieth century towards Victorian architecture had, for many decades, been well summed up by P.G. Wodehouse in his dismissal of the fictional mid-Victorian Walsingford Hall as 'a celebrated eyesore in all its startling revolting hideousness'. 'Victorian', quite simply, was a term of abuse. Add in the wartime bombing of our cities by the Luftwaffe, and the vandalism of the town planners to make way for the modern ring road and the multi-story, and the scale of the damage is truly sobering.
This poignant book, full of stunning and unexpected images, chronicles - and deplores - the catastrophic swathe cut through our architectural heritage by the twentieth century's sustained antipathy to the nineteenth, as well as offering an offbeat history of Victorian architecture, and its belated re-evaluation, entirely through buildings that have disappeared. Of the 200 notable examples of Victorian architecture illustrated in this book, from the magnificent Imperial Institute in Kensington to Norman Shaw's superb church in Bingley, from Preston Town Hall to the vast country house of Eaton Hall, not one still exists. A photograph is all we have left.
As well as architectural causes celebres like the Euston Arch and London's Coal Exchange, Stamp also turns up many lesser-known but amazing Victorian buildings whose loss is perhaps even more to be mourned, because history gave us no time at all to appreciate them. Who'd have known that Hackney in East London briefly accommodated the extraordinary Gothic battlements of Columbia Market, or that Chatsworth in Derbyshire once boasted a soaring glasshouse streamlined like a spaceship? Complementing these plangent images is Gavin Stamp's angry account of the wilful destruction, largely motivated by ignorance and prejudice, of grand, solid, striking buildings made to last a lifetime. Surprising, chastening, but also uplifting, Lost Victorian Britain is a memorable journey back into a world we should never have lost.



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Scotland's Coast: A Photographer's Journey

Joe Cornish
(2005)
Hardcover - 159 pages
Aurum Press Ltd
ISBN: 1845130790



Synopsis by Amazon.co.uk:
Following the success of his best-selling First Light, Joe Cornish has now turned his attention to the magnificent scenery of Scotland's 6,000-mile coastline. He has travelled from the Mull of Galloway in the south to the tip of Unst in the Shetlands, the northernmost point in the British Isles, and from remote St Kilda out in the Atlantic to the Sands of Forvie National Nature Reserve on the North Sea to capture the enormous variety of scenery that characterises the Scottish seacoast. Some of the sites he has photographed, like St Kilda or the sandstone peaks overlooking Loch Torridon, belong to the National Trust for Scotland, but many others are privately owned; some, like the majestic Cuillins on Skye, are well-known to tourists, others are hidden coves or remote sea stacks that few visitors will ever have seen. Whatever the subject, be it a wide Hebridean vista or fragmentary patterns of ice on a frozen beach, Joe Cornish, with his artist's eye and his dramatic use of light, helps us to look at it afresh and reveals new and unsuspected beauties. In the text which accompanies his photographs he explains the aspects of each particular landscape that made it special to him, its geology, its flora, its history or its associations. The result is a stunning book book which will delight Cornish's legion of admirers and all those who have found enchantment on Scotland's wonderful coastline.



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Historic Arts and Crafts Homes of Great Britain

Brian D. Coleman
(2005)
Hardcover - 192 pages
Gibbs M Smith Inc
ISBN: 158685531X



Synopsis by publisher:
From esteemed author Brian D. Coleman comes a thorough exploration into the origins of the design and philosophy of the Arts and Crafts movement in Great Britain - the roots of which are inspiring a fresh new approach to the more traditional American Arts and Crafts style. Coleman leads an inspiring and beautiful tour of ten of the most historic Arts and Crafts homes in Britain, from William Morris's Red House in Kent to Macintosh's Hill House in Glasgow.
Learn about the history, construction, and thoughtfulness of design that give valuable insight into the philosophy of the movement and how it is reinterpreted today. Honesty of construction, attention to detail, and the value of handcraftsmanship are principles of the Arts and Crafts movement first celebrated by William Morris and John Ruskin over one hundred years ago. Other homes featured in the book include Blackwell in the Lake District (architect M. H. Baillie Scott), Castle Drogo in Devon (architect Sir Edwin Lutyens), Cragside in Northumberland (architect Richard Norman Shaw), and Kelmscott Manor in London (William Morris's holiday home). All homes featured in the book are open to the public and maintained as museums and tributes to the artistry. Contact information is provided for each house, which provides a helpful tool for planning a visit.



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Mackintosh's Masterwork: The Glasgow School of Art

William Buchanan
(2004)
Hardcover - 224 pages
Rutgers University Press
ISBN: 0813534453



Synopsis by publisher:
Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, Mackintosh is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy.
This completely redesigned and lavishly illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.
William Buchanan, former art director of the Scottish Arts Council, has been connected with the Glasgow School of Art for much of his life. Having studied there in his youth, he later returned as head of Fine Art Studies and became deputy director. He has published widely on Charles Rennie Mackintosh, with a special interest in Japanese influences on his work.



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Central Glasgow: An Illustrated Architectural Guide

Charles McKean, Duncan McAra (Editor)
(1993)
Paperback - 208 pages
The Rutland Press
ISBN: 1873190220



Synopsis by Amazon.co.uk:
An illustrated architectural guide to the history and character of the city of Glasgow, in all its incarnations - great ecclesiastical city, the city of the unimaginably wealthy tobacco lords, merchant city, cotton city, industrial city and second city of the Empire.



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Scottish Architecture

Miles Glendinning, Aonghus MacKechnie
(2004)
Paperback - 224 pages
Thames and Hudson
ISBN: 0500203741



Synopsis by Amazon.co.uk:
A concise, up-to-date survey that provides for the visitor or resident an overview of Scotland's finest buildings and its long line of architectural geniuses.



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